Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
Please be advised: the Museum is open April 22–26, 12:00–6:00, for NYC Public Schools’ spring recess. See all hours.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This traveling exhibition explores Jim Henson’s groundbreaking work for film and television and his transformative impact on popular culture.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
This exhibition explores the process of designing the fantastical characters for the Netflix series prequel to the 1982 film.
Commissioned by the Museum, seven artists have each created four original GIFs that will be presented as two-month installations on the walls and ceiling of the visitor elevator.
An exhibit of lobby cards and posters from the 1930s through the 2010s for American films with Black women in featured roles.
In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.
“Deepfakes” are videos that intentionally distort or fabricate actual events. This temporary exhibition presents a variety of media that demonstrate the instability of on-screen truths.
This video exhibition presents films produced for scientific education and entertainment between 1904 and 1936, an era when cinema was still a novel tool for manipulating time and scale to show what was imperceptible to the naked eye.
Undoubtedly one of the greatest films ever made, Chantal Akerman’s singular avant-garde epic screens April 29 and May 8.
This animated drama from the director of Belle screens May 6 and 8.
This animated drama from the director of Belle screens May 6 and 8.
Built around a series of conversations in person and online between the filmmaker and her mother, a Belgian Holocaust survivor, No Home Movie is both diaristic and avant-garde, a meditation on family relations, memory, and death in the modern world.