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CALENDAR

Behind the Screen - Tut's

GENERAL ADMISSION

You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.

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All Day

Tut’s Fever Movie Palace

Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s

Behind the Screen

Museum of the Moving Image

The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.

The Jim Henson Exhibition

Museum of the Moving Image

This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture. 

The Situation Room

Museum of the Moving Image

Commissioned by the Museum, seven artists have each created four original GIFs that will be presented as two-month installations on the walls and ceiling of the visitor elevator.

An Act of Seeing:
Barry Jenkins’s The Gaze

In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.

Twitch, Pop, Bloom: Science in Action

This video exhibition presents films produced for scientific education and entertainment between 1904 and 1936, an era when cinema was still a novel tool for manipulating time and scale to show what was imperceptible to the naked eye.

Recurring

Memoria

Apichatpong Weerasethakul's serene masterpiece set in Colombia and starring Tilda Swinton begs for the big-screen treatment. Playing at MoMI May 20–22!

Recurring

Memoria

Apichatpong Weerasethakul's serene masterpiece set in Colombia and starring Tilda Swinton begs for the big-screen treatment. Playing at MoMI May 20–22!

Recurring

The Prisoner of Zenda

On May 20 and 21, see David O. Selznick's production of Anthony Hope's popular late 19th-century novel—one of James Wong Howe’s proudest achievements.