Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
Please be advised: the Museum is open April 22–26, 12:00–6:00, for NYC Public Schools’ spring recess. See all hours.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This traveling exhibition explores Jim Henson’s groundbreaking work for film and television and his transformative impact on popular culture.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
This exhibition explores the process of designing the fantastical characters for the Netflix series prequel to the 1982 film.
In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.
This video exhibition presents films produced for scientific education and entertainment between 1904 and 1936, an era when cinema was still a novel tool for manipulating time and scale to show what was imperceptible to the naked eye.
This major new exhibition addresses the origins, production, fandom, and impact of The Walking Dead, one of the most watched shows in the history of cable television. Presented with support from AMC Networks.
Corinne Cantrill, who works with her husband Arthur Cantrill, is one of Australia’s most committed and prolific experimental filmmakers. This brilliantly constructed and questioning autobiography covers the years 1928–1984, using a tapestry of photographs and a handful of moving image clips, centering the emotions and memories they elicit.
Paul Thomas Anderson's acclaimed misfit romance plays at MoMI on 70mm August 12–September 3.
Part fish-out-of-water comedy, part family melodrama, this warm-hearted, hilarious, and sharply observed depiction of the Chinese diaspora by Clara Law screens August 6 and 14.
The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.