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Behind the Screen - Tut's

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Tut’s Fever Movie Palace

Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s

Behind the Screen

Museum of the Moving Image

The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.

The Jim Henson Exhibition

Museum of the Moving Image

This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture. 

A man and woman in period dress stare directly at camera

An Act of Seeing: Barry Jenkins’s The Gaze

In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.

Living with The Walking Dead

This major new exhibition addresses the origins, production, fandom, and impact of The Walking Dead, one of the most watched shows in the history of cable television. Presented with support from AMC Networks.

LAIKA: Life in Stop Motion

This new exhibition invites visitors of all ages to appreciate the painstaking work of stop-motion animation, with eight animation stations equipped with 2-D LAIKA character figures and environments that visitors can use to experiment with and create their own short films.

A grid of movie title designs, in different colors and styles

Dan Perri and the Art of the Title Sequence

This exhibit explores the art of the title sequence by focusing on designs by one of its most acclaimed practitioners, Dan Perri. His work in the industry spans 50 years, from the early 1970s through the 2010s.

A boxer in the ring, looking at camera, beside a kid and his trainer.
Recurring

The Shakedown

This Universal boxing picture by William Wyler, based on a story discovered by Wyler’s brother Robert, finds the then-young director honing his considerable skills.

Protestors in the street holding signs in South America

My Imaginary Country

ne of the greatest documentary filmmakers the medium has ever known, the 80-year-old Guzmán has been creating works about the political past and hopeful future of his home country Chile for more than fifty years.

Recurring

Heaven’s Gate (Director’s Cut)

This revisionist western, restored to its full length, is a marvel of ambition and complex storytelling, dramatizing the Johnson County War of 1892, when European settlers were targeted for death and displacement by cattle barons. December 9–10.

Two animated women, one brunette and one with long pink hair, look up to the sky against a backdrop of glowing floating lanterns

We Met in Virtual Reality

This expansive and sensitive documentary was filmed entirely inside the world of virtual reality. See it December 10, featuring a virtual Q&A with director Joe Hunting.

A black and white image of a young man looking up and ecstatically dancing

1985: Film Screening and Conversation

For AIDS Awareness month, MoMI presents Yen Tan’s 1985 on December 10, plus a conversation with star Cory Michael Smith and local advocates Jimmy Van Bramer, Sainabou Njai, and Frank Naso.