Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
Please be advised: the Museum is open April 22–26, 12:00–6:00, for NYC Public Schools’ spring recess. See all hours.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
This exhibition explores the process of designing the fantastical characters for the Netflix series prequel to the 1982 film.
In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.
This major new exhibition addresses the origins, production, fandom, and impact of The Walking Dead, one of the most watched shows in the history of cable television. Presented with support from AMC Networks.
This new exhibition invites visitors of all ages to appreciate the painstaking work of stop-motion animation, with eight animation stations equipped with 2-D LAIKA character figures and environments that visitors can use to experiment with and create their own short films.
This new temporary exhibition explores the process of creating the story depicted in Chinonye Chukwu’s acclaimed 2022 feature Till, through storyboards created by Jesse Michael Owen.
The material on view in this new exhibition provides a glimpse into the process of bringing the story of Sarah Polley’s film Women Talking to the screen.
With this video installation by artist sTo Len, who is currently a Public Artist in Residence (PAIR) at the New York City Department of Sanitation, viewers have the chance to report, via green screen, from various shuttered waste sites in New York City, such as the Fresh Kills Landfill.
Marcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Marcel the Shell with Shoes On plays so successfully as a documentary that you might catch yourself believing it’s true.
On January 14, see one of the most profound and inspiring works of nonfiction in recent memory, a vibrant portrait of life in its loving, generous documentation of death, with director Ondi Timoner and Rabbi Rachel Timoner in person!
Claire Denis has never made a film so sharply straight and to the point as this, her wintriest and weariest work, starring Juliette Binoche and Vincent Lindon.
Stan Brakhage made almost 400 films over 51 years, varying in lengths from nine seconds to four and a quarter hours. His finest films are not his best known, according to Fred Camper, who curated this selection screening 1/14.
Claire Denis’s distinctively Denisian take on the erotic political thriller stars Qualley as a marooned American journalist and Alwyn as the shifty English dealmaker with whom she becomes entangled in ethically unstable Nicaragua.
Available once again, only on 16mm per Camper’s wishes, these films demonstrate that Camper is not only one of our most invaluable film critics but also a formidable artist. Screening 1/14.