Screening

Enzo G. Castellari (director of the original The Inglorious Bastards) considered this sweeping revenge drama to be his best work.

In this striking documentary, Vitaly Mansky returns to footage he shot while making a movie about Russian presidential candidate Vladimir Putin, questioning his own participation, and looking for clues to explain what would happen in the ensuing two decades of Putin’s regime.

Ukrainian master filmmaker Sergei Loznitsa's searing and surreal film screens again at MoMI. All proceeds from this screening will be donated to the International Coalition for Filmmakers at Risk, and funds will go towards filmmakers in Ukraine.

Two superb works of observational storytelling, including the 2021 Oscar Nominee for Best Documentary Short from Elizabeth and Gulistan Mirzaei

In his hand-crafted masterwork, celebrated artist Qiu has delivered a gloriously synthetic historical pageant in homage to classical Chinese opera without forgetting to make us laugh.

This boldly conceived debut renders the disconnected existence of Cassandre, a seemingly carefree flight attendant for a budget airline. Screening Friday, March 18 for First Look 2022.

This startlingly candid observational documentary takes place almost entirely inside a juvenile prison in Madagascar, screens alongside two shorts from filmmaker Marek Moučka

The latest documentary from the indefatigable Sergei Loznitsa is a masterwork of archival storytelling, grippingly and exhaustively detailing the Lithuanian fight for nationhood during the crucial years of 1989–1991, threaded together by interviews with the first Head of the Lithuanian Parliament, the now 89-year-old Vytautas Landsbergis

In his auspicious debut feature, a surreal absurdist parable that somehow begs comparisons to both Robert Bresson and Charlie Chaplin, El Zohairy conjures an entire, self-contained universe around the story of a working-class Egyptian family.

A multi-million dollar urbanization project for the indigenous territory of Gran Chaco threatens to relocate Wichi families and disrupt their ancestral way of life.

Sergei Loznitsa’s film, constructed entirely of archival footage is a meticulous recounting of the events at Babi Yar, a ravine on the outskirts of Kiev where, in 1941, one of the largest mass executions in history took place. Screening March 20.

On March 20, director Iliana Sosa in person with her intimate, lovingly patient portrait of the director’s 89-year-old grandfather Julián.

Orson Welles's groundbreaking essay film presents a hall of mirrors portrait of professional art forger Elmyr de Hory, as well as literary fraudster Clifford Irving, at the former's home in Ibiza.

Four films by recent and current student filmmakers, including two documentaries by Slovakian filmmaker Marek Moučka and two narrative works by students from the SVA BFA Film department.

On the cusp of his fiftieth birthday, Kostya, a wedding photographer who earns his living capturing others’ happiest moments, finds his life has fallen apart.

On March 26, see a First Look encore screening of Qiu Jiongjiong's hand-crafted masterwork, an homage to classical Chinese opera.

Two personal documentary portraits from director Valentyn Vasyanovych.

Four films from First Look 2022 that exemplify the diversity of the nonfiction short form.

Ukrainian filmmaker Valentyn Vasyanovych's latest is a grim and bloody tour de force of long-take cinema, obliterating the imaginary line between states of peace and states of war.

A free preview screening of Goran Stolevski's upcoming period horror film from Focus Features.