Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
With material drawn from MoMI’s permanent collection, this exhibit explores the film’s production and makeup design, detailing how a stylish townhouse in Georgetown, Washington, D.C., and an innocent young girl were transformed into sites of horror.
Shot in the Roosevelt Ave/Jackson Heights station, this installation video captures the tide of New Yorkers streaming through an entrance to the subway system in what the filmmakers refer to as a “collective ballet.”
On the occasion of Todd Haynes’s May December, MoMI is pleased to present an exhibit with materials from the archives of filmmaker Todd Haynes, now part of the Museum’s collection, offering a glimpse into his process of transforming historical and cultural referents into formally ambitious, richly emotional films.
This is the first major survey of the pioneering net-artist and sculptor Auriea Harvey. The exhibition will feature more than 40 of Harvey’s works, including her groundbreaking net-based interactives, video games, and augmented-reality sculptures from a career spanning nearly four decades.
Allen Riley's Videofreak reimagines the arcade game experience by emphasizing the art of video manipulation over traditional gameplay elements like scorekeeping and end goals.
Tide Predictor is LoVid’s first code-driven generative artwork, a departure from a majority of their catalog, which centers experimentation with actual analog video. It will be displayed on the Museum's Schlosser Media Wall in the lobby.
In this video installation drawn exclusively from films made between 1896 and the late 1920s, Tan pairs mesmerizing moments of people working over a century ago—sewing fishing nets, harvesting wheat, collecting chicken eggs, sorting oysters—with missives from her Australia-based father, read aloud by Scottish actor Ian Henderson.
Our 3/28 opening night includes a reception; virtual reality showcase; and a selection of short films that explore the multitude of ways autistic people navigate dating and relationships.
Powell and Pressburger’s influential backstage drama masterpiece about a rising star ballerina consumed by perfectionism features an unforgettable extended fantasy ballet, and Oscar-winning art direction and musical score. Screens 3/23, 3/24, and 3/29.
This workshop invites autistic visitors and media-makers are invited to learn how to perform puppetry on screen. Participants will gain knowledge about theater and perform original stories and become more confident puppeteers.
This dramatic feature follows two estranged sisters forced together by their mother’s sudden death.
One of Scorsese’s supreme achievements brilliantly articulates the passion of its director’s ongoing cinematic project for depicting the complexities of faith and violence. Screens 3/29 and 3/30.