Working on It (Day Two)
The Working on It program, which offers a lab-like environment for work-in-progress screenings, workshops, and discussions about the artistic process, is open to the public.
CALENDAR
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
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First Sight: 2023 Award-Winning Shorts from the Jonathan B. Murray Center for Documentary Journalism
On 3/16, see a selection of jury award–winning undergraduate student films from the Jonathan B. Murray Center for Documentary Journalism at the Missouri School of Journalism.
Rodeo + Jill, Uncredited
Showcase ScreeningHot-tempered and fiercely independent, Julia is a gearhead who thrives in hostile environments and turns every situation to her advantage.
Herbaria + Agrilogistics
Listorti’s gorgeously collaged film, shot on both 16mm and 35mm, invites viewers into the delicate work of preserving plants and celluloid, both of which are under threat of extinction and require practices of collection, inspection, and archiving.
Working on It (Day Three)
The Working on It program, which offers a lab-like environment for work-in-progress screenings, workshops, and discussions about the artistic process, is open to the public.
The Eight Mountains
The film has a throwback epic scale, spanning decades in its protagonist’s lives and set in some of the most beautiful—and unyielding—vistas on earth, and encompassing a full spectrum of emotions and experiences.
The Taste of Mango
Encore ScreeningThis tender and poetic love letter from daughter to mother expresses a complexity of feeling and affinity that only cinema might approach.
Sloan Student Prize Screenplay Reading
Select scenes from the two screenplays awarded the 2022 Sloan Student Prizes will be read by professional actors as part of this special program, produced and directed by Mêlisa Annis, and followed by a Q&A with the filmmakers.
Feet in Water, Head on Fire
Terra Jean Long's film explores how a landscape has been shaped by ultimately fruitless economic pursuits and a desire for comfort and stability.
The River Is Not a Border
By the southern bank of the river demarcating the official border between Mauritania and Senegal, filmmaker Diago convenes an open-air assembly of Black Mauritanians who, in 1989, were expelled from their homeland.
A Common Sequence
Woven with coolly framed images and carefully layered sounds, A Common Sequence is a richly generative, open-ended experience.
R 21 aka Restoring Solidarity
Mohanad Yaqubi offers a fascinating, eclectic, and inspiring survey of cross-continental solidarity using a voluminous collection of pro-Palestinian work discovered in Japan.