Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
On 3/31 and 4/9, see Chantal Akerman’s magnum opus, Sight & Sound's recently crowned greatest film ever made.
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
On 3/31 and 4/9, see Chantal Akerman’s magnum opus, Sight & Sound's recently crowned greatest film ever made.
Though once denounced among tokusatsu fans who prefer more serious kaiju fare, this fun adventure, in which the King of the Monsters reaches his peak as campy saurian superhero, has gained a strong cult following in recent years.
Following his 2016 hit Your Name, Makoto Shinkai returned with this poignant drama, set in a water-deluged Shinjuku beautifully etched in the director’s signature style. Screening 4/1 and 4/2.
One of the monumental achievements of avant-garde cinema, this is a three-hour long that Michael Snow shot during a single day atop a remote plateau in Northern Quebec.
Michael Snow’s impact on Chantal Akerman’s filmmaking is evident in this pairing of Michael Snow’s classic Wavelength with two films that Akerman made during her 1971–72 stay in New York City.
Following his 2016 hit Your Name, Makoto Shinkai returned with this poignant drama, set in a water-deluged Shinjuku beautifully etched in the director’s signature style. Screening 4/1 and 4/2.
Robert Bresson’s bracing adaptation of the novella by George Bernanos about a teen girl in a French village is spare and emotionally devastating.
Pasolini revived the style of Italian neorealism with his audacious second film, which stars Anna Magnani as a prostitute struggling to escape her past and provide a decent life for her teenage son.
Though once denounced among tokusatsu fans who prefer more serious kaiju fare, this fun adventure, in which the King of the Monsters reaches his peak as campy saurian superhero, has gained a strong cult following in recent years.
Akerman’s first narrative feature, shot on 16mm on a shoestring budget after her return from New York City, is a triptych loosely based on Akerman’s own experiences hitchhiking across Belgium to visit an ex-girlfriend.
The bucolic surface of Agnès Varda's film contrasts with the tragic drama of a young wife and mother (Claire Drouot) whose husband (Jean-Claude Drouot) falls in love with another woman.
Tori and Lokita is as urgent and timely a statement as the Dardennes have ever given us. Playing at MoMI 4/7–4/15.