Three Women
Encore ScreeningThe opposite of a detached portrait, Three Women freely engages and communes with the village, capturing the warmth of the place and its people.
CALENDAR
GENERAL ADMISSION
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
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Tokyo Story
Ozu's quiet and haunting masterpiece, following an aging couple on a journey from their rural village to visit their married children in bustling postwar Tokyo, screens 3/24 and 3/26.
Art Talent Show
Encore ScreeningEvery year the Academy of Arts (AVU) in Prague receives hundreds of applications. Art Talent Show observes every step in the arduous process for three studios.
Marvels of Media Awards Ceremony and Exhibition Opening
On Thursday, March 30, celebrate the winners of this year’s Marvels of Media Awards at this festive evening featuring an awards ceremony and reception, which also marks the opening of the Marvels of Media Exhibition.
Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
On 3/31 and 4/9, see Chantal Akerman’s magnum opus, Sight & Sound's recently crowned greatest film ever made.
Godzilla vs. Megalon
Though once denounced among tokusatsu fans who prefer more serious kaiju fare, this fun adventure, in which the King of the Monsters reaches his peak as campy saurian superhero, has gained a strong cult following in recent years.
La région centrale
One of the monumental achievements of avant-garde cinema, this is a three-hour long that Michael Snow shot during a single day atop a remote plateau in Northern Quebec.
Wavelength + La Chambre + Hotel Monterey
Michael Snow’s impact on Chantal Akerman’s filmmaking is evident in this pairing of Michael Snow’s classic Wavelength with two films that Akerman made during her 1971–72 stay in New York City.
Mouchette
Robert Bresson’s bracing adaptation of the novella by George Bernanos about a teen girl in a French village is spare and emotionally devastating.
Mamma Roma
Pasolini revived the style of Italian neorealism with his audacious second film, which stars Anna Magnani as a prostitute struggling to escape her past and provide a decent life for her teenage son.
Je tu il elle
Akerman’s first narrative feature, shot on 16mm on a shoestring budget after her return from New York City, is a triptych loosely based on Akerman’s own experiences hitchhiking across Belgium to visit an ex-girlfriend.
Le bonheur
The bucolic surface of Agnès Varda's film contrasts with the tragic drama of a young wife and mother (Claire Drouot) whose husband (Jean-Claude Drouot) falls in love with another woman.