On May 29, Mann’s revival of the trendy 1980s TV series he helped create, a doubling down on the original’s themes of confused identity, extra-national criminality, and undercover blues.

In this masterful psychological western, Director Raoul Walsh and cinematographer James Wong Howe fill the open landscape of the Southwest with an oppressive dread, while the shadowy interiors hint at the domestic disarray at the heart of the drama.

James Wong Howe’s first directorial feature dramatizes the formation of the Harlem Globetrotters, and features Sidney Poitier: 5/28 & 6/5.

A return to the lonely intimacy of the director’s earlier features (Thief, Manhunter), the film is a brooding study in disconnection and inhumanity, traced across a weblike urban landscape. Here, a taxi’s dim interior light reveals characters trapped within their own delusions.

Michael Mann's epic yet minutely observed crime drama, among the greatest works of 1990s Hollywood, screens June 5 on 35mm.

On May 29, Mann’s revival of the trendy 1980s TV series he helped create, a doubling down on the original’s themes of confused identity, extra-national criminality, and undercover blues.

The infamous, real-life story of the quashing of an explosive 60 Minutes segment on Big Tobacco is the basis of Mann’s most urgent and stirring film.

Audrey Diwan's brilliant and searing drama about illegal abortion in France in the 1960s, winner of the Golden Lion at the 2021 Venice Film Festival, plays June 11, 18 & 24.

James Wong Howe paired for the first time with frequent collaborator William K. Howard for this ensemble dramatic thriller set entirely on a transatlantic ocean-liner where the high seas aren’t nearly as dangerous as the passengers, conspiring and interfighting over fortunes made and lost.

This early sound gem provided a young Spencer Tracy with a meaty, larger-than-life showcase as Tom Garner, a cigar-chomping, up-by-his-bootstraps industrialist whose supposed villainy is steadfastly contradicted by his right-hand man.

William Inge’s smash 1953 Broadway production, which dared to uncover the smoldering desires of small-town American life, was transformed into a hit movie by studio stalwart Joshua Logan, who also directed the original stage version.

One of the great New York movies of the 1950s, Sweet Smell of Success pits Lancaster’s ruthless columnist J. J. Hunsecker against Curtis’s desperate publicist Sidney Falco in a noirish, pitch-dark morality play.

Herbert Ross's continuance of the Fanny Brice story was bolder than its trappings would indicate, and despite its 1930s setting, serves as a startlingly jaundiced look at its own time.

Audrey Diwan's brilliant and searing drama about illegal abortion in France in the 1960s, winner of the Golden Lion at the 2021 Venice Film Festival, plays June 11, 18 & 24.

A sui generis Hollywood entertainment about a hipster Greenwich Village witch, played by Kim Novak, who casts a romantic spell on her upstairs neighbor (James Stewart), Bell, Book and Candle was released the same year as Stewart-Novak’s other famous pairing, Vertigo.

A fiendishly fun horror comedy with an enduring cult status, offering an entirely different take on the zombie film from its predecessors.

James Wong Howe, nominated for an Oscar for his work, shot in black-and-white and used misshapen lenses to create a surreal atmosphere as Arthur Hamilton’s dream of a new life turns into a waking nightmare.

Audrey Diwan's brilliant and searing drama about illegal abortion in France in the 1960s, winner of the Golden Lion at the 2021 Venice Film Festival, plays June 11, 18 & 24.

George A. Romero’s seminal, independent zombie movie, which laid the groundwork for the indie horror film, as part of our series Films of the Dead: Romero & Co.—next screening on July 9.

George A. Romero’s seminal, independent zombie movie, which laid the groundwork for the indie horror film, as part of our series Films of the Dead: Romero & Co.—next screening on July 9.