This feminist essay classic was five years in the making, with contributions from hundreds of women and over 200 Australian films. It is an investigation and celebration of women's work from colonial settlement to the present, a story told by women: Aboriginals, migrants, convicts, and a variety of others.

Douglas Trumbull’s science-fiction thriller about a device that can record thoughts and dreams features stunning visual effects to portray telepathic experiences, cutting between widescreen and standard size.

Two films of working class families in the '80s and '90s, each presented in 16mm.

Based on Miles Franklin’s celebrated feminist book of the same name, this Australian New Wave classic launched the careers of actors Judy Davis and Sam Neill, as well as director Gillian Armstrong.

Visual effects wizard Douglas Trumbull showcases his frequently breathtaking model work in this science-fiction cult classic.

Douglas Trumbull’s science-fiction thriller about a device that can record thoughts and dreams features stunning visual effects to portray telepathic experiences, cutting between widescreen and standard size.

Hugo Weaving plays Martin, a blind photographer whose distrust of everyone is rooted in a childhood incident. He takes photos as proof that the world he imagines is the same world that sighted people see.

Laurie McInnes here makes her feature directorial debut with this haunting, dusty Australian gothic noir, shot in rich black-and-white.

Visual effects wizard Douglas Trumbull showcases his frequently breathtaking model work in this science-fiction cult classic.

This feminist essay classic was five years in the making, with contributions from hundreds of women and over 200 Australian films. It is an investigation and celebration of women's work from colonial settlement to the present, a story told by women: Aboriginals, migrants, convicts, and a variety of others.

Four women conspire to sabotage the research program of Utero, a multinational firm engaged in reproductive engineering, in On Guard, screening with two classic Australian short films.

Celebrated visual artist Tracey Moffatt’s only feature film is a triptych of strange ghost stories rendered with a vivid staginess and dark humor, screening July 30 and August 13.

Exposed to a new, post-innocent world, eight-year-old Celia attempts to navigate fantasy and reality—a nuanced coming-of-age tale, with mythological elements, set against the backdrop of 1950s conservatism.

Corinne Cantrill, who works with her husband Arthur Cantrill, is one of Australia’s most committed and prolific experimental filmmakers. This brilliantly constructed and questioning autobiography covers the years 1928–1984, using a tapestry of photographs and a handful of moving image clips, centering the emotions and memories they elicit.

Paul Thomas Anderson's acclaimed misfit romance plays at MoMI on 70mm August 12–September 3.

Part fish-out-of-water comedy, part family melodrama, this warm-hearted, hilarious, and sharply observed depiction of the Chinese diaspora by Clara Law screens August 6 and 14.

The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.

The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.

Paul Thomas Anderson's acclaimed misfit romance plays at MoMI on 70mm August 12–September 3.

This selection of highlights from Kino Lorber’s forthcoming collection Cinema’s First Nasty Women features eleven recently restored and newly scored comic shorts from the U.S. and Europe that anarchically celebrate feminist and racial protest, slapstick rebellion, and gender play.

The ninth film from Quentin Tarantino revisits Los Angeles at the tail end of the 1960s, when the Hollywood studio system was fading and hippie subversion was ascendant.

This sardonic, New York–set sci-fi smash features Will Smith and Tommy Lee Jones in comic-cool mode as agents of a top-secret organization that polices extraterrestrial activity on Earth.

Easily the most sophisticated and memorable of the zombie films of the subgenre’s premier era, Tourneur and low-budget producer extraordinaire Val Lewton’s remarkable collaboration is a dreamlike horror fable that loosely reimagines Charlotte Brontë’s Jane Eyre.

Italian horror maestro Lucio Fulci returns to the racialized origins of the zombie narrative with what was originally conceived as a sequel to George A. Romero’s Dawn of the Dead.