Tut’s Fever Movie Palace
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
You can buy admission tickets online. Pick a date and time to visit the Museum. Timed-entry slots are released generally one-month prior. All sales are final and payments cannot be refunded.
Tut’s Fever is a working movie theater and art installation created by Red Grooms and Lysiane Luong, an homage to the ornate, exotic picture palaces of the 1920s
The Museum's core exhibition immerses visitors in the creative and technical process of producing, promoting, and presenting films, television shows, and digital entertainment.
This traveling exhibition explores Jim Henson’s groundbreaking work for film and television and his transformative impact on popular culture.
This dynamic experience explores Jim Henson’s groundbreaking work for film and television and his transformative impact on culture.
This exhibition explores the process of designing the fantastical characters for the Netflix series prequel to the 1982 film.
In his companion piece installation to The Underground Railroad, Jenkins further engages ideas about visibility, history, and power in moving-image portraits of the show’s background actors.
This major new exhibition addresses the origins, production, fandom, and impact of The Walking Dead, one of the most watched shows in the history of cable television. Presented with support from AMC Networks.
This new exhibition invites visitors of all ages to appreciate the painstaking work of stop-motion animation, with eight animation stations equipped with 2-D LAIKA character figures and environments that visitors can use to experiment with and create their own short films.
This exhibit explores the art of the title sequence by focusing on designs by one of its most acclaimed practitioners, Dan Perri. His work in the industry spans 50 years, from the early 1970s through the 2010s.
In this free class, parents will explore fun, therapeutic activities using moving image technologies, learning new media and games that are easily teachable to kids.
Celebrate Day of the Dead on November 2 with a performance by Mariachi Nuevo Amanecer Academy, followed by a presentation of Aztec Mexica dance, poetry, music from indigenous dance troupe Yayauhki Tezcatlipoka, and a face-painting session inspired by historical characters from Día de Muertos.
The 12th annual Queens World Film Festival will take place November 1–6, with screenings at Museum of the Moving Image and other venues in Queens.
A mysterious drifter possesses the last of seven ancient keys that hold the power to stop the forces of darkness and protect all humanity from ultimate evil in this spin-off of Tales of the Crypt.
To commemorate the 100-year anniversary of the Smyrna Holocaust, the Hellenic Film Society presents Maria Iliou’s documentary on November 6—its first New York theatrical showing in ten years.
Scholar and author Kinitra Brooks presents one of the most influential horror films of the 21st century on November 6.
Oscar nominee Ramin Bahrani’s new documentary follows the inventor of the modern bulletproof vest, continuing the fascination the filmmaker has shown in his fiction work for the perilous pursuit of the American Dream.
In this free class, parents will explore fun, therapeutic activities using moving image technologies, learning new media and games that are easily teachable to kids.
This new temporary exhibition explores the process of creating the story depicted in Chinonye Chukwu’s acclaimed 2022 feature Till, through storyboards created by Jesse Michael Owen.
ParaNorman was LAIKA Studios’ second feature after Coraline and combines a handmade stop-motion texture with groundbreaking technical innovation. Screens November 11–20.
Coppola’s directorial vision truly pops in The Cotton Club Encore, painstakingly reconstructed from the director’s found lost negatives and featuring restored sound and image. November 11–12.
On November 11, we present films by Vanessa Renwick and Glenn Belverio, this program spans more than 30 years, presenting a satirical, confrontational approach to coping with the absurd, often backwards political and societal machinations of the modern moment.
ParaNorman was LAIKA Studios’ second feature after Coraline and combines a handmade stop-motion texture with groundbreaking technical innovation. Screens November 11–20.
On November 12, MoMI kicks off its rare Noriaki Tsuchimoto retro with this stunning and explorative adventure in cinematography and docufiction.
Tsuchimoto’s first independently produced film focuses on a captivating Malaysian expatriate student (seeking refuge at Japan’s Chiba University) whose political outspokenness has raised the specter of deportation.
Coppola’s directorial vision truly pops in The Cotton Club Encore, painstakingly reconstructed from the director’s found lost negatives and featuring restored sound and image. November 11–12.
In 1967, Tsuchimoto embarked on a five-month journey from the Soviet port city of Nakhodka (on the coast of the Sea of Japan) to Moscow, documenting life amidst the 50th anniversary of the Russian Revolution.
A remarkably lived-in and focused document of the era of student revolutions that swept Japan and the world toward the end of the 1960s.
On November 13, title designer Dan Perri—the subject of a new exhibition at MoMI—will join us to discuss his work on Scorsese’s dark, savage view of New York. Perri will also appear that day with a screening of the iconic New York adventure The Warriors by Walter Hill.
On November 26, scholar Aaron Gerow will introduce the film, widely regarded as Tsuchimoto’s supreme masterpiece.
Walter Hill’s vividly violentand giddily sensationalist vision of ’70s New York stirred up controversy upon release and endures as a beloved cult classic.
Featuring photo-real special visual effects and animation by Industrial Light & Magic and the voice of Angela Bassett, Good Night Oppy charts Oppy’s unforgettable journey and an indescribable bond that formed as the rover searched for life on Mars.
ParaNorman was LAIKA Studios’ second feature after Coraline and combines a handmade stop-motion texture with groundbreaking technical innovation. Screens November 11–20.
Noriaki Tsuchimoto's film, screening November 18 and 27, is a monumental achievement in documentary history.
Richard Kelly’s horror-tinged drama about a suburban kid (Jake Gyllenhaal) plagued by apocalyptic visions is one of the true cult classics of the 21st century. November 18–19.
On November 19 and 25, join us for Jodie Foster's rollicking yet immensely moving comic drama, one of the most perceptive of all American films about the often unbearable dynamics of family.
A rich encapsulation of Tsuchimoto’s work: clear-headed in its staredown of corporations and government, transcendent in its lighthearted openness to people.
Richard Kelly’s horror-tinged drama about a suburban kid (Jake Gyllenhaal) plagued by apocalyptic visions is one of the true cult classics of the 21st century. November 18–19.
he second and most rarely screened entry in Tsuchimoto’s Minamata Trilogy remains a gripping indictment of modern industry and a testament to human resilience.
ParaNorman was LAIKA Studios’ second feature after Coraline and combines a handmade stop-motion texture with groundbreaking technical innovation. Screens November 11–20.
A soul-stirring reflection on art’s relation to what Susan Sontag called “the kingdom of the sick.”
Tsuchimoto’s last major feature reaffirms his undying allegiance to the global struggles of humanity.
On November 20, join us for Robert Eggers's fierce adaptation of the Norse legend that inspired Shakespeare’s Hamlet featuring an intro and book signing by Simon Abrams, author of The Northman: A Call to the Gods, and a prerecorded intro by Robert Eggers.
A rich depiction of art-making and a mature meditation on the limits of art, featuring a wrenching strings-and-shakuhachi score from Toru Takemitsu.
The great Armenian filmmaker Parajanov had been laboring in obscurity for a decade or more by the time he made his breakout film, a visionary folk romance.
On November 19 and 25, join us for Jodie Foster's rollicking yet immensely moving comic drama, one of the most perceptive of all American films about the often unbearable dynamics of family.
Terence Malick's brilliant reimagining of the story of John Smith and Pocahontas as a transcendental reverie screens November 25–26.
On November 26, scholar Aaron Gerow will introduce the film, widely regarded as Tsuchimoto’s supreme masterpiece.
On November 26 and December 3, Jim Henson Legacy President Craig Shemin will appear in person with special outtakes and excerpts.
Terence Malick's brilliant reimagining of the story of John Smith and Pocahontas as a transcendental reverie screens November 25–26.
In this landmark, deeply unsettling film, director Joshua Oppenheimer exposes a contemporary Indonesian society formed from a brutal, harrowing, and still unexamined civil war. November 26 & December 17.
Lloyd Kaufman will appear in person on November 26 to introduce his underrated underground gem, a perfect blend of trademark Troma madness and Kaufman’s cynical, crude black humor.
Noriaki Tsuchimoto's film, screening November 18 and 27, is a monumental achievement in documentary history.
Wildly underrated at the time of its release, Elaine May’s deceptively screwball comedy is a cross between a Hope and Crosby road movie and a trenchant satire about the Middle East that feels as relevant as it ever was. November 27 & December 4.
Filmmaker Reid Davenport appears in person November 27 to present his groundbreaking, Sundance-awarded work of nonfiction, which offers a uniquely transporting cinematic experience.
Iliana Sosa’s film is a marvel of presence, filled with gorgeously attentive images and casually revelatory moments born of patience and loving complicity. With director in person.
On November 29 at 7 p.m., join us for a very special free screening of Elvis with director Baz Luhrmann in person!
On December 1, join us for the Museum's annual winter fundraising event, honoring directors Sarah Polley and Laura Poitras, novelist and screenwriter Kazuo Ishiguro, and composer Michael Abels.
On November 26 and December 3, Jim Henson Legacy President Craig Shemin will appear in person with special outtakes and excerpts.
Filmed before the pandemic, Pawel Lozinski’s revelatory documentary was shot entirely from his balcony in Warsaw. Director in person—December 2!
On November 26 and December 3, Jim Henson Legacy President Craig Shemin will appear in person with special outtakes and excerpts.
Lozinski’s first major work, following Henryk Greenberg, a Polish-born American who lost much of his family in the Holocaust, plus a celebrated, delicate short study of familial love.
Wildly underrated at the time of its release, Elaine May’s deceptively screwball comedy is a cross between a Hope and Crosby road movie and a trenchant satire about the Middle East that feels as relevant as it ever was. November 27 & December 4.
In and around his own apartment in Warsaw, Łoziński explores a year in the lives of his neighbors; plus an intimate portrait of the filmmaker’s own cleaning lady, a single mother who left her native Ukraine seeking a better life.
A political media advisor puts out a call for neophyte applicants for political candidacy, and hundreds apply in this dynamic, entertaining, and implicitly damning snapshot of opportunistic populism in action.
On 12/4, Paweł Łoziński introduces the touching film he made with his father, Marcel, documenting a road trip from Warsaw to Paris.
Lozinski’s unwaveringly intimate work documents a triangular psychotherapeutic encounter between a daughter, a mother, and a therapist.