On 12/30, see Jordan Peele's wildly expansive, primally frightening movie, one of the year’s most puzzled-over, debated, and admired studio productions.

Juan Pablo González has created a drama of striking observational realism that’s as much about environmental change as the fascinating community of people at its center. 

On December 31, see two brilliant performances by Tilda Swinton—as an elderly mother and her middle-aged filmmaker daughter—in Joanna Hogg's exquisite The Eternal Daughter, which takes the seeming form of a classical ghost story.

Hong creates a rich world of mundanity and possibility, in which relationships and professional aspirations are often connected, and no future is certain. 

One of Hong’s most ruminative and slyly caustic films, In Front of Your Face follows a middle-aged woman who has come back to South Korea after living abroad for many years.

Lee Hyeyoung gives another standout, ruminative performance as a cantankerous middle-aged novelist who hasn’t written in years and is in desperate need of a new creative outlet.

Dir. Jeff Tremaine. 2022, 96 mins. DCP. With Johnny Knoxville, Steve-O, Chris Pontius, Dave England, Wee Man, Danger Ehren, Preston Lacy. Twenty years after the surprising box office success of Jackass: The Movie, and twelve ...

On 1/6, see the great British director Terence Davies's aching biographical film about pacifist poet and World War I veteran Siegfried Sassoon.

Alex Pritz joins us in person 1/6 for his acclaimed documentary, a marvel of collaborative filmmaking partially shot by the Uru-eu-wau-wau people and filmed over the course of several years.

The legendary Jerzy Skolimowski has created an arresting, funny, and tragic portrait of humanity in all its foibles, told from the perspective of a donkey.

Olivier Assayas's magical and brilliantly conceived 2022 re-imagining of his own 1996 movie stars Oscar-winner Alicia Vikander as a Hollywood star who has come to Paris to fill the role once inhabited by Maggie Cheung.

The fiction feature debut by documentary filmmaker Alice Diop is both intensely psychological and observationally distant, a film about the impossibility of fully knowing another person and the estrangement of living in an adopted world. 

Director Charlotte Wells appears in person on 1/7 to present her acclaimed, poignant breakthrough drama, which offers an entirely new approach to the family memento movie.

On 1/8, director Antoneta Alamat Kusijanović appears in person to present her Cannes-awarded, sexually charged coming-of-age tale set in scenic coastal Croatia.

In her exquisitely crafted jewel of a film, Céline Sciamma has fashioned an uncommonly perceptive, lightly metaphysical drama about memory, grief, coming-of-age, and the gifts passed between generations.

Olivier Assayas's magical and brilliantly conceived 2022 re-imagining of his own 1996 movie stars Oscar-winner Alicia Vikander as a Hollywood star who has come to Paris to fill the role once inhabited by Maggie Cheung.

As environmental toxicity and civil unrest escalate, the relationship between this family and the neglected, eco-essential kites forms a poetic chronicle of the city’s collapsing ecology and deepening social fault lines.

In his triumphant return to feature filmmaking, virtuoso South Korean filmmaker Park Chan-wook delivers a breathlessly involving thriller that doubles as a kind of twisted romantic comedy.

On Friday 1/13, see S. S. Rajamouli's epic adventure set in 1920s India—one of the international movie sensations of the year.

Jane Schoenbrun’s feature debut uses the textures and trappings of the horror genre to descend into a striking depiction of a particularly 21st-century loneliness.

On January 14, see one of the most profound and inspiring works of nonfiction in recent memory, a vibrant portrait of life in its loving, generous documentation of death, with director Ondi Timoner and Rabbi Rachel Timoner in person!  

Claire Denis has never made a film so sharply straight and to the point as this, her wintriest and weariest work, starring Juliette Binoche and Vincent Lindon.

Claire Denis’s distinctively Denisian take on the erotic political thriller stars Qualley as a marooned American journalist and Alwyn as the shifty English dealmaker with whom she becomes entangled in ethically unstable Nicaragua.

The action spectacle of the summer took audiences by storm and surprise with its old-fashioned storytelling vigor and brilliantly orchestrated stunt work that demands to be seen on a big screen. 

Gut-bustingly funny even as it grows increasingly surreal and provocative, The Rehearsal questions the dubious concept of reality itself. 

A film that keeps reinventing itself, No Bears is the latest superb shapeshifter from the genius director Jafar Panahi, whose work has never been diminished despite being constantly persecuted by the Iranian authorities over the past decade.

All the Beauty and the Bloodshed is an epic, emotional, and interconnected story about internationally renowned artist and activist Nan Goldin.

This profoundly emotional and brilliantly visualized film tells the true story of Mamie Till Mobley’s relentless pursuit of justice for her 14-year-old son, Emmett Till.

American cinema classicist James Gray proves yet again his crucial place in the contemporary cinematic landscape with this profoundly felt, autobiographically inspired coming-of-age drama set in Queens circa 1980.

On January 21 and 22, see Qiu Jiongjiong's hand-crafted masterwork, an homage to classical Chinese opera.

On 1/22, we begin our Qiu Jiongjiong retrospective with these two playful and entertaining short documentaries, introduced by guest curator Shelly Kraicer.

On January 22, see Qiu Jiongjiong's hand-crafted masterwork, an homage to classical Chinese opera.

Screening on 1/27, as part of Science on Screen, one of the most acclaimed documentaries of 2022, set on the legendary Sable Island, known for its herd of wild horses, unparalleled population of grey seals, and shipwrecks.

Qiu’s remarkable debut is an experimental black-and-white documentary portrait of his father.

This vibrant portrait of trans performer ‘Bilan de Linphel’ (birth name Fan Qihui) is both intimate and exhilaratingly expansive.

This thoroughly entertaining film is Qiu’s expansive family chronicle, a documentary in the form of an art-folk tale.

Replete with intrigue and hilarious surprises, this classic, beloved farce from Greece's famed Finos Film studio concerns a woman who devises a devilish plan to expose her husband's cheating ways.

Qiu’s brilliant fiction-documentary hybrid is based on the life of Zhang Xianchi, a so-called “rightist” persecuted for his unorthodox beliefs.