Before Synder moved over to big-budget comic book blockbusters, he made his mark in the horror genre with this ambitious remake of Romero’s 1970s zombie classic.

Jim Jarmusch’s Trump-era allegory imagines a placid upstate New York community overrun by zombies who have been reanimated by the addictive consumerism they practiced in life.

Romero's fourth entry in his Dead cycle is a biting social satire about class warfare. On July 17, with intro by Brett Arnold, followed by a live taping of The New Flesh podcast.

This remake of George A. Romero’s enduring 1968 masterpiece is a cult classic in its own right thanks to director and makeup legend Tom Savini’s thoughtful approach to the original source material.

With its vibrant ’80s new wave video aesthetic, this light-hearted musical comedy displayed Armstrong’s commitment to stories of women’s self-determination and creative versatility across different milieu.

This Feminist essay classic was five years in the making, with contributions from hundreds of women and over 200 Australian films. It is an investigation and celebration of women's work from colonial settlement to the present, a story told by women: Aboriginals, migrants, convicts, and a variety of others.

Jane Campion’s debut feature film portrays—with lurid and unabashed vitality—the perilous relationship between two sisters, one repressed and anxious, the other unhindered and reckless, after the latter, nicknamed Sweetie, returns to their Sydney suburban home.

Based on Miles Franklin’s celebrated feminist book of the same name, this Australian New Wave classic launched the careers of actors Judy Davis and Sam Neill, as well as director Gillian Armstrong.

On Guard Dir. Susan Lambert. 1983, 50 mins. 16mm. With Liddy Clark, Jan Cornall, Kerry Dwyer, Mystery Carnage. Four women conspire to sabotage the research program of Utero, a multinational firm engaged in reproductive engineering. ...

July 24: Redstone Theater July 31: Bartos Screening Room Dir. Essie Coffey. 1978, 51 mins. DCP. The first Australian film directed by an Indigenous woman, this documentary depicts the dispossession of the Aboriginal people of ...

Best Documentary winner at Cannes, this debut film by Payal Kapadia deftly merges reality with fiction, weaving together archival footage and student protest videos to create a vital tapestry of the personal and the political—screens July 29 and 31.

Laurie McInnes here makes her feature directorial debut with this haunting, dusty Australian gothic noir, shot in rich black-and-white.

Dir. Nadia Tass. 1990, 99 mins. 35mm. With Ben Mendelsohn, Claudia Karvan, Steve Bisley, Damon Herriman. Teenager Danny (a baby-faced Mendelsohn, in an early role) wants to woo his crush Joanna, promising a ride in ...

Two films of working class families in the '80s and '90s, each presented in 16mm.

Exposed to a new, post-innocent world, eight-year-old Celia attempts to navigate fantasy and reality—a nuanced coming-of-age tale, with mythological elements, set against the backdrop of 1950s conservatism.

Celebrated visual artist Tracey Moffatt’s only feature film is a triptych of strange ghost stories rendered with a vivid staginess and dark humor, screening July 30 and August 13.

Set over 24 hours, this low-budget, independent comedy about love, friendship, share-houses, and university bureaucracy sizzles with sharp dialogue and radiant performances from its young leads.