On Thursday, March 30, celebrate the winners of this year’s Marvels of Media Awards at this festive evening featuring an awards ceremony and reception, which also marks the opening of the Marvels of Media Exhibition.

On 3/31 and 4/9, see Chantal Akerman’s magnum opus, Sight & Sound's recently crowned greatest film ever made.

Though once denounced among tokusatsu fans who prefer more serious kaiju fare, this fun adventure, in which the King of the Monsters reaches his peak as campy saurian superhero, has gained a strong cult following in recent years. 

Following his 2016 hit Your Name, Makoto Shinkai returned with this poignant drama, set in a water-deluged Shinjuku beautifully etched in the director’s signature style. Screening 4/1 and 4/2.

Join us for a special guided tour of The Jim Henson Exhibition! The tour costs $5.00 per visitor (on top of admission ticket).

One of the monumental achievements of avant-garde cinema, this is a three-hour long that Michael Snow shot during a single day atop a remote plateau in Northern Quebec.

Michael Snow’s impact on Chantal Akerman’s filmmaking is evident in this pairing of Michael Snow’s classic Wavelength with two films that Akerman made during her 1971–72 stay in New York City.

Following his 2016 hit Your Name, Makoto Shinkai returned with this poignant drama, set in a water-deluged Shinjuku beautifully etched in the director’s signature style. Screening 4/1 and 4/2.

Robert Bresson’s bracing adaptation of the novella by George Bernanos about a teen girl in a French village is spare and emotionally devastating.

Pasolini revived the style of Italian neorealism with his audacious second film, which stars Anna Magnani as a prostitute struggling to escape her past and provide a decent life for her teenage son.

Though once denounced among tokusatsu fans who prefer more serious kaiju fare, this fun adventure, in which the King of the Monsters reaches his peak as campy saurian superhero, has gained a strong cult following in recent years. 

Akerman’s first narrative feature, shot on 16mm on a shoestring budget after her return from New York City, is a triptych loosely based on Akerman’s own experiences hitchhiking across Belgium to visit an ex-girlfriend.