Though once denounced among tokusatsu fans who prefer more serious kaiju fare, this fun adventure, in which the King of the Monsters reaches his peak as campy saurian superhero, has gained a strong cult following in recent years. 

In connection with Ramadan and Women’s History Month, Redefining Leadership, Reimagining Power is a community event focused on women leaders and the many definitions of leadership including speaking up against injustices; taking care of each other and our communities; and creating film art with powerful messages.

Select scenes from the two screenplays awarded the 2022 Sloan Student Prizes will be read by professional actors as part of this special program, produced and directed by Mêlisa Annis, and followed by a Q&A with the filmmakers.

Join Museum of the Moving Image’s Teen Council for this immersive drop-in program to create an augmented reality moving image experience.

A housewife from the Paris suburbs comes to the city to work as a prostitute, but Godard takes a discursive approach, creating a freewheeling philosophical essay.

Set in the early 1900s, Carl Dreyer’s final film is an austere adaptation of a long-forgotten stage play about a woman who has grown discontent with her husband and goes from one unsatisfying affair to another

Filmed on location in a Roman amphitheater, Straub and Huillet’s Moses and Aaron is a rigorously controlled version of Arnold Schoenberg’s unfinished opera inspired by the book of Exodus.

Akerman’s first narrative feature, shot on 16mm on a shoestring budget after her return from New York City, is a triptych loosely based on Akerman’s own experiences hitchhiking across Belgium to visit an ex-girlfriend.

Pasolini revived the style of Italian neorealism with his audacious second film, which stars Anna Magnani as a prostitute struggling to escape her past and provide a decent life for her teenage son.

Robert Bresson’s bracing adaptation of the novella by George Bernanos about a teen girl in a French village is spare and emotionally devastating.

Michael Snow’s impact on Chantal Akerman’s filmmaking is evident in this pairing of Michael Snow’s classic Wavelength with two films that Akerman made during her 1971–72 stay in New York City.

One of the monumental achievements of avant-garde cinema, this is a three-hour long that Michael Snow shot during a single day atop a remote plateau in Northern Quebec.