Eva Davidova’s participatory installation playfully incorporates both ancient myth and contemporary reality, highlighting the theme of interdependent responsibility in the wake of ecological disaster.

This year as part of MoMI’s Day of the Dead celebration on November 2, we present Oscar-winning Mexican filmmaker Guillermo del Toro's emotional and beautifully crafted horror film.

In his chilling, oblique study of evil in Germany during WWII, British director Jonathan Glazer (Under the Skin) has created a singular, unsettlingly timeless representation of inhumanity and our capacity for indifference in the face of atrocity. Screens 10/11.

With her customarily bewitching mixture of earthiness and magical realism, Alice Rohrwacher (Happy as Lazzaro) conjures a marvelous entertainment set in a rural Italy eternally caught between the ancient and the modern. Screens 10/12.

Sweet-souled in story, scalpel-sharp in filmmaking precision, this enchanting love story from Finnish virtuoso Aki Kaurismäki circles around two financially strapped Helsinkians who keep finding and losing one another in a world that seems to be falling apart. Screens Friday, 10/13.

Presented every autumn, the New York Film Festival, organized by Film at Lincoln Center, is among the most cherished and prestigious traditions for cinema lovers in New York.  Museum of the Moving Image is pleased to ...

Rarely seen stateside since its 1983 release, Devil Fetus is a zany, sleazy, and ambitious Hong Kong horror movie featuring stop-motion monsters, show-stopping makeup effects, and a scene-stealing, demon-battling, martial artist holy man. 

A collaboration by producer Dario Argento and director Lamberto Bava, Demons is a marvel of bloody special effects about a movie screening gone terrifyingly wrong.

This ’80s horror cult favorite directed by Freddy Krueger himself, Robert Englund, is a zany, gory snapshot of suburban fears over new technologies and outcast teenagers left alone to their own devices amidst the decade’s infamous “Satanic Panic.” 

First-time filmmaker Victor Dryere utilizes analog technology and the gimmick of found-footage horror to create warm, foggy imagery that expertly shocks and scares.  

Set 15 years later, the film follows Lieutenant William F. Kinderman (Scott) and his investigation of a string of bizarre murders around Georgetown that seem to link back to a long-dead serial killer.