To the Wonder + Thy Kingdom Come
Dir. Terrence Malick. 2012, 113 mins. 35mm. With Olga Kurylenko, Ben Affleck, Rachel McAdams, Javier Bardem. Malick’s under-appreciated follow-up to 生命之树 marks an era of his work defined by a fidelity to an unscripted, unrehearsed, caught-on-the-wing approach he’d incorporated into his shoots since 细红线. An American man (Affleck) and a European single mother (Kurylenko in an effervescent turn) fall madly in love in Paris. Returning with her daughter to his native Oklahoma and the promise of a new life together, the woman quickly grows despondent, the man absent, amid the remote, unpopulated surroundings of house and fence, farm and field. Taking up with his former sweetheart (McAdams), the man only grows more distant, while his increasingly isolated partner seeks solace in the councils of a local priest (Bardem). The first of a trilogy of works that turn Malick’s rapturously all-embracing eye upon the contemporary world, this lament for lost lovers finds as much astonishment in the apparition of a Sonic drive-in as Mont-Saint-Michel.
其次是： Thy Kingdom Come
(2018, 42 mins.), photographer Eugene Richards’s spun-off collaboration with Javier Bardem. Shot concurrently with 通往仙境, this experimental hybrid of documentary and fiction witnesses Bardem’s Father Quintana pursuing real-life conversations with the people of Osage County, from myriad family homes to a trailer park, a prison, and a nursing home.