Wes Anderson's new film in a special free sneak preview.

今年的节目反映了来自美国或更大范围侨民的当代阿拉伯电影制作人的不同声音，他们创作的作品挑战了该地区历史上的映射、呈现和代表方式。

与我们一起度过一个周末的表演、电影放映、媒体制作活动和画廊谈话。

Users, playing 7/21, is work of both bracing intimacy and staggering cinematic ambition, a wide-ranging inquiry into how technology is increasingly driving all aspects of our society.

A cinematic experience truly unlike any other, 32 Sounds, screening 6/16 and 6/17, investigates the mysterious nature of perception and the subtle yet radical politics that arise from sensation and being present in one’s body. 

Unpredictable British genre filmmaker Strickland, through the use of hypnotic imagery and a tsunami of phantasmagoric sound design, finds the idiosyncrasy of two women's kinky relationship as well as its very human core.

Wes Anderson and Owen Wilson have been devoted fans of groundbreaking documentarians Albert and David Maysles for their entire careers together. This program features three Maysles films that evoke the period or locations depicted in Asteroid City.

One of the best films produced during Hollywood’s brief embrace of Technicolor 3-D, Roy Ward Baker’s sunbaked potboiler finds Robert Ryan in the role of Donald, a callous millionaire stranded in the Mojave Desert with a broken right leg.

John Sturges’s lean-and-mean CinemaScope color noir featuring a beguiling Spencer Tracy as a no-nonsense man investigating a suspected killing in a tiny California desert town plays 6/10 on 35mm.

This absorbing, intensely physical drama set at a rundown motel in the Mojave Desert is based on the play by Sam Shepard, also stars as a rodeo stunt rider trying to convince his ex-girlfriend (Kim Basinger) that they should rekindle their flame.

凭借其独特的好莱坞情节剧和破旧的七十年代真实性的混合，这部电影仍然是理解斯科塞斯电影作品的复杂性和多样性的重要电影。